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Following the posting of a new shabad in Raag Dhanasri earlier this week (Ab Main Kaun Upao Karoon), I received a couple of inquiries on how to sing Dhanasri. People often ask me about styles of singing, and especially definitions of several raags. And because I get these questions often, I think its appropriate to put the response on the blog.

The request reminded me of my last lengthy discussion on Dhanasari -- which was memorable one. A few years ago one beautiful afternoon, after the normal Gurudwara program, I had the fortune of sitting with the gifted Bhai Gurmeet Singh Shaant and his jatha in the Norwalk Gurudwara in Connecticut, and we were sharing Dhanasari bandishes with each other; In his opinion this would be categorized as a Thumri in Dhanasari, not a Khayal, the more popular Kirtan style prevalent nowadays. The best way to learn the musical aspects of Dhanasri is to listen to accomplished musicians sing it. Please see a Compilation of Dhanasri Shabads for more examples of singing Dhanasri.

If I stopped here, I would be wrong.
Following is a recording of Guru Tegh Bahadur's shabad "Ab Main Kaun Upao Karoon" that I recently finished mastering. This is the first of six shabads I collaborated with Pandit Rajendra Prasanna, an eminent classical musician from Delhi. The shabad is sung in Raag Dhanasri, and a downloadable version of this shabad, like others, is available on Reverbnation. Hopefully I will post some more shabads from that collaboration, and from others that I currently am in.







Over one of the recent weekends, I had the chance to listen to the wonderful Asa ki Vaar at a residence in California. Bhai Kultar Singh sang some shabads that we used to hear from his father, Bhai Avtar Singh. I had my iPhone with me so I recorded two of the shabads.

The first shabad is in Raag Bilawal, Prabh ji too mere praan adhaare:
Bilawal - Prabh ji too mere praan adhaare - Bhai Kultar Singh
Here is a list of some Asa ki Vaar recordings that I like. Also notice our blog post related to this topic: Asa KI Vaar or Asa DI Vaar?

The first recording one is done by Bhai Baljeet Singh and Bhai Gurmeet Singh with tanti saaz (although a better mastering job is definitely possible here):

Asa ki Vaar - Bhai Baljeet Singh, Bhai Gurmeet Singh
Late last year there was a Raag Kirtan Darbar in Rajouri Garden, Delhi. I have been listening to these shabads over the past month. Following are my favorites from this program:

Todi - Heeyo Re Garab Kahelaro - Bhai Gurmeet Singh Shaant
Gauri Bairagan - Meraa Taanda Laadeya Jaye - Bhai Baljit/Gurmeet Singh (Namdhari)
Bihagra - Vad Sukh Rainariye - Bibi Parampreet Kaur
Here is a complete List of Shabads
Pictures from the recent earthquake in Haiti have been heartbreaking. I saw some different kinds of pictures from Haiti today. These were heart warming pictures. Those of of Sikhs embracing Haitians, Sikhs serving hot food to people in Haiti. I was ecstatically surprised, and filled with pleasure and pride seeing the following: United Sikhs Haiti News. And the scale is fantastic -- the United Sikhs is serving langar to 5000 needy people in Haiti. Kudos!
Recordings from the 18th Annual Adutti Gurmat Sangeet Darbar (November 2009) can be found at Sikhvibes.com. Following are links to the shabads:

Tilang Kafi - Bhai Narinder Singh - har jas rae manaa
Basant - Bhai Balbir Singh - thina basanth jo har gun gaae
Jaitsree - Prof. Alankhaar Singh - lorreedharraa saajan maeraa
Shudha Malhar - Bhai Amrik Singh - har jan bolath sreeraam naamaa
Kalyan - Sant Satnam Singh - prabh maeraa antharajaamee jaan
Kedar - Prof Rajbalwinder Singh - har bin kio reheeai dhookh
Tukhari - Prof Surjeet Singh - niragun raakh leeaa
Kalyan - Bibi Harmeet Kaur Ji (Delhi) - maerae laalan kee sobhaa

Recordings from several other Annual Adutti Gurmat Sangeet programs can be found on keertan.org.
My favorites
Tukhari (Jhaptal) - Ghol Ghumai Laalna - Principle Baldev Singh
Saavan Saras Manaa - Prof. Shamshad Ali
Ghol Ghumai Lalna - Bhai Sarbjit Singh Rangila


Tukhari Compilation
Gur Ke Charan Jee Ka Nistaara - Live from Darbar Sahib, Nov 2009
Tukhari - Ghol Ghumaai Laalna Parkash Singh
Tukhari - Ghol ghumai Lalna - Bhai Kanwarpal Singh
Tukhari - Antar Piri Pyaar - Dilbagh Singh/Gulbagh Singh
Tukhari - Antar Piri Pyaar - Devinder Singh/Gulbagh Singh
Tukhari - Ghol Ghumai Lalna - Bhai Gurmej Singh
Madho Jal Kee Pyaas Na Jaye - Live from Darbar Sahib, Nov 2009
Tukhari - Ghol Ghumai Lalna - Bhai Sarbjit Singh Rangila
Tukhari - Saajan Des Videsariye - Bhai Surjit Singh
Tukhari - Saavan Saras Manaa - Dr. Gurnam Singh
Tukhari - Nirgun Raakh Liya - Bhai Avtar Singh

On Taus:
Tukhari on Taus - Bhai Sandeep Singh

More on Tukhari: http://www.sikhiwiki.org/index.php/Tukhari
I always find raag-ful Shabad Kirtan enchanting; however, oftentimes the recording quality available on the web is disappointing. And I know you can empathize with these sentiments.

Which is why I point the effort at gurmatsangeetdarbar.com. Present here are probably some of the better available live recordings on the internet. Try listening to some of those recordings on a headphone or a superior amplifier system. As you can hear, these recordings are definitely a treasure for us and future generations. And, thankfully for me, and the rest of kirtan premis, a treasure that seems to be growing gradually.

The recordings involve usage of large diaphragm microphones, which are a lot more sensitive in picking up nuances. And nuances are so important to classical music. Recently the recordings are done in a multi-track format, which can be later mixed.

While we enjoy the outcome of these, all this this takes a tremendous amount of time and effort. So we are thankful to Ajit Singh ji who does the recordings and manages the website. I will continue to write about these recordings as more are available.

Since it is the winter season, several new Raag Tukhari recordings can be found in the most recent posting at the site. Usage of shudha ma and komal ni differentiate Tukhari from Madhuvanti. My favorite Tukhari in this program is by Bhai Devinder Singh/Gulbagh Singh:

Tukhari - Antar Piree Piaar - Devinder-Gulbagh Singh

The rest of the recordings from this program can be found here:
Malton Oct 4

And before I bid happy thanksgiving, I want to point out that yesterday, sikhnet.com started its new audio offering: http://www.sikhnet.com/gurbani. This looks very interesting and adds a 'social' theme to the listening of Gurbani and adds some really innovative features. Two that stood out in my first drive: when you click on one shabad, you can get renditions of the same shabad by other artists; the media player includes a rolling translation of the shabad. Kudos Gurmustuk!!!
"Guru Nanak" in Raag Bageshri:




Happy Gurpurab folks!!! I have been singing Bhai Gurdas' Vaar Kal Taaran Guru Nanak Aaya in Bageshree since the mid-90s. This weekend I made a recording of this shabad mixing in a country ballad style. Following is a copy of yesterday's recording. Feel free to listen, download, and pass along to friends and family.

Feb 16, 2011 Update
Here is my interpretation of this Vaar:

How fortunate am I
The supreme giver
has infinite mercy upon me
and sent for me none other
than my dear Guru Nanak
to be my guide

My Guru travels far
and learns from the learned
He is the wisest I've know
still he meets everyone
with a peculiar humility
strange to our world
How fortunate am I

And he teaches me
the way to learn by example
He travels many million miles.
And when his feet are washed
Particles of his noble ways
make sweet ambrosial nectar
a drop of which I get to drink
How fortunate am I

With that luminious drop
all fog starts to disappear
Himself my dear Guru shows me
there is no difference betwee
one who knows everything
and the mysterious one
that no one can fully fathom
How fortunate am I

This world of ours has
those of different religions
those of disparate social strata
some rich live the lives of king
others, paupers, just survive
they have all, in one drop.,
through his blessed vision
become ONE for me
How fortunate am I

At times when
everything looks dark
he lights my path
with the torch of the
mantra of truth, Satnam!
My dear Guru Nanank
has removed my darkness
How fortunate am I
How fortunate am I



Nov 25 Update:
Based on a request in the comments area, following is the notation for one of the guitar parts -- the actual notation is tough to read and play -- but this is a simplified version that works as well. Every two bars is one line of the shabad as follows:


Kal taaran Guru Nanak aayaa - 4
Suni Pukaar Dataar Prabh - 2
Guru Nanak Jag Mahe Pathayaa - 2
Charan Dhoye Rehraas Kar - 2
Charanaamrit Sikhaan Pilayaa - 2
(Rest of the verses repeats similarly)


On several previous occasions I have heard US presidents, including Presidents Bush and Clinton, give warm greetings on the birthday of Guru Nanak. This year, President Obama message on Diwali included a mention of Guru Hargobind Sahib and Bandi Chhorh Diwas:


Then we have the age old discussion whether Diwali is for Sikhs or not. Although most of the discussion around this topic is not worth spending time on, in my opinion, I did find an interesting article on sikhphilosophy.net of which at least one idea I wholeheartedly empathize with, and that is the first line of a shabad should not, in most circumstances be used as a refrain and sung repeatedly because it tends to change the central purpose of the shabad.

The author in the article gives us an example "ON DIWALI DAY Programmes at the Gurdwara I have often heard Raagis singing this shabad from Bhai gurdass Ji di Vaar -Diwali kee raat deeweh ballian ..." For more see http://www.sikhphilosophy.net/sikh-sikhi-sikhism/1008-diwali-ki-raat-deeweh-ballian-diwali.html

For this reason, I think it is incumbent upon us, those who sing Gurbani, and even more so for composers who have the privilege of arranging music to support Gurbani, to keep the central meaning of the shabad in mind while choosing refrains and doing the whole composition.

Popular compositions for beautiful shabads like Jo Maange Thakur, Paati Torai Maalini, Bhoolai Maarag Jineh Bataaya, and Lakh Khushian Patshaiyan use the wrong refrain -- the first line of the shabad. Incorrect repitition provides incorrect emphasis and tends to make us forget key words from the rahao which are closer to the central meaning of these shabads: Har jan raakhai, Bhooli Maalini, Simar manaa raam naam, and Ekas syon chit laye, respectively.

In the past few years this has been one of the leading guiding principles for Gurbani music composition (even ahead of nirdharit raag compositions). I have myself sung all these shabads using the wrong refrain; and now I have started singing all these shabads using refrains prescribed in the Guru Granth Sahib. And I have learned that the beauty of these shabads is far beyond than what I have been able to enjoy.
For this reason, even though the following rendition of Simar Manaa is not in Bilawal, I prefer the following composition over the next one by Bhai Harjinder Singh (Srinagar wale):

Simar Manaa:



Lakh Khushiyan:

A Raag Darbar organized by the SGPC Gurudwara Manji Sahib Amritsar on Sri Guru Ramdas Sahib Ji's birthday in October 2009. Several of the panths leading kirtaniyas were present in this darbar. The videos can be found here: http://sgpc.net/raagdarbar/. Included below are the mp3's of some of the shabads from this program. The rest of the Bhai Sarabjit Singh's shabad in Tilang is a particularly nice composition. Enjoy!

My favorites from this program:
tukhari - Tu jagjeevan jagdeesh sab karta
dhanasri - Mere shah mai har darshan sukh hoye
tilang - Aisaa baaji sehsa

Video of Bhai Balbir from this program:


List of MP3:
bairari - har jan raam naam gun gaave
bihagra - hau baliharree tin kao
bihagra - Amrit har har naam hai
dhanasree - Jap Man Satnam
dhanasri - Mere shah mai har darshan sukh hoye
gauri - sun saajan prem sandesharah
jaitsree - Mere man jap raam naam
kalyan - hau tumri karaon nit aas
kedar - mere man raam naam chit gaveeyeh
maajh - Hau reh na sake
malhar - Raam Raam bol bol
nat narayan - koi aan sunaave har ki
sorath - sorath taam suhaavanee
Sri - Mere Preetama haun jeevan naam tihare
tilang - Aisaa baaji sehsa
tukhari - Tu jagjeevan jagdeesh sab karta
I was surfing this morning and found that Sikhnet was broadcasting a live video of the Baisakhi program at LA. I remember having attended this program several years ago. It is fantastic to be able to see this event from miles away, and also to imagine that, in the future, we will have multiple live video streams to watch. Also, pretty nice to see chatters converse while the kirtan is going on. If you get this blogpost in time (if you are subscribed), you can visit this site and see the programs live now:
http://www.justin.tv/sikhnet

And I found another one; this is our Gurudwara in Espanola, New Mexico. If you tune in now you can hear kirtan done using tanti saaz.
http://www.mogulus.com/hgrd

Waheguru!!! Wonderful!
Time of Post: 11 AM, April 12 (Pacific Standard Time).
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